Lou Grant is a fictional character played by Edward Asner in two television series produced by MTM Enterprises for CBS. The first was Mary Tyler Moore (1970–1977), in which the character was the news director at the fictional television station WJM-TV. A spinoff series, entitled Lou Grant (1977–1982), featured the character as city editor of the fictional Los Angeles Tribune.
Unusually, the two shows in which the Grant character features are in completely different genres. The Mary Tyler Moore Show was a half-hour-long light-hearted situation comedy while Lou Grant was an hour-long serious dramatic series which frequently engaged in social commentary.
Although the setting of The Mary Tyler Moore Show might have implied that he was a native Minnesotan, Lou Grant in fact established that he was born in the fictional town of Goshen, Michigan. He was the son of John Simpson Grant and Ellen Hammersmith Grant; his grandfather was a pharmacist. At some point in his youth and early adulthood he developed a life-long affection for westerns, particularly those starring John Wayne. In high school, he was a tackle for his school's football team. Soon after high school, he married Edie MacKenzie (Priscilla Morrill), at an age young enough to have four grandchildren before he turned 50.
After marriage, he became a combatant in World War II. He served in both the Pacific and European Theatres. At one point, he was a sergeant in the Pacific-based 2nd Marine Division. During another phase of his wartime service, he was injured by a grenade in France, the last remnants of which were only removed in his late 40s. He was also part of a unit that liberated an unknown town in Germany. During the war, he met and befriended Walter Cronkite.
He attended college, likely after the war. He started his career in print journalism as a copy boy, but it is unclear whether this was in Detroit, Minneapolis or San Francisco, as he worked for papers in all three cities. In this period of his life, he met and worked with Charlie Hume (Mason Adams) for the first time at the San Francisco Call-Bulletin.
At some point in his late 30s, he made the transition to television news, and eventually became the head of the WJM news department. He worked in that capacity for 11 years. For most of that period, Mary Richards served as his associate producer, Ted Baxter as his news anchor and Murray Slaughter as his head writer.
Of these relationships, the one with Richards was likely the closest. When he first interviewed Mary, he liked her because she had spunk, even though he hated spunk. He offered her the job of associate producer, which paid less than the secretarial position for which she'd initially interviewed, but more than what he said was the going rate for full producers. She accepted, saying that she could only "afford" to be an associate producer. At the same time, Mary discovered that Lou was a heavy drinker, with a penchant for hiding whole bottles of scotch in his desk drawers. Except for one abortive attempt at romance, his general attitude towards her was paternalistic. A typical display of his affection for Richards came when his nephew, Allen, tried to put the moves on Mary. Lou became infuriated and said, "Listen you, let me remind you of something, and remember this forever. I think of this girl here as if she were my own daughter and that means she is your cousin, you get my drift?"
Lou delivers the news to Sue Ann that her program has been cancelled.
Lou's personality was outwardly that of a tough loner and a workaholic man's man, with little subtlety. The real Lou Grant was somewhat more complicated. He was quick to anger and had a violent streak, at times threatening the barely competent Ted Baxter and once causing him physical injury. However, those who understood him best, like Mary Richards, knew he was also painfully shy, with a particular awkwardness around women. With those few people he trusted, again like Mary Richards, Lou was protective and could at times confide his emotional vulnerability.
Lou's marriage began to slide as he and Edie both adjusted to life after parenthood. They briefly separated for the first time almost immediately after their youngest daughter got married and left the house. Though they reconciled on this occasion, they would occasionally re-separate and seek marriage counseling over the next two years. In about 1973, he and Edie divorced, after which Edie promptly remarried. Lou, who had been consistently portrayed as a devoted husband, tentatively began to date again. He went with a woman named Charlene (Sheree North; Janis Paige in "Menage-a-Lou" of Season 6) in particularly Season 5; Mary's best friend Rhoda Morgenstern in Season 4; Mary's next-door neighbor, Paula Kovacks (Penny Marshall) in Season 6; Mary's Aunt Flo (Eileen Heckart) in Seasons 6 and 7; and even with Mary herself in the penultimate episode. He and Sue Ann Nivens almost had a relationship, as well.
Though he never talked about his religious background, several comments by those around him during his time at WJM suggest he might have been Jewish: Phyllis Lindstrom was the first to suggest that he would get along well with Rhoda, since in her strained words they were "both...earthy," and in a later episode Sue Ann Nivens assured him he would not mind singing her "non-denominational" Christmas carols.
Professionally, his career with WJM-TV ended in the final episode. Lou, along with Mary, Murray, and Sue Ann Nivens, were fired due to the low ratings. Ironically, Lou's sometime-nemesis, the vacuous Ted Baxter—the real cause for the ratings slide—was retained.
Soon thereafter, he was asked by his former co-worker, Charlie Hume, to relocate to Los Angeles, to help work with him at the fictitious Los Angeles Tribune, as the paper's City Editor, returning him to newspaper work. His subordinates at that time included staff reporters Joe Rossi (Robert Walden); Billie Newman (Linda Kelsey); her predecessor, Carla Mardigian (Rebecca Balding); and photographer Dennis "Animal" Price (Daryl Anderson). His assistant was Art Donovan (Jack Bannon). Charlie Hume was now his boss, who ultimately reported to publisher Margaret Pynchon (Nancy Marchand). They, like those in his prior work at WJM, became his family as well.
In a 1984 episode of Saturday Night Live, Lou hired a team of mercenaries to "rescue" Mary Richards after she got stuck in the '70s in syndicated reruns. But Mary refused rescue on the grounds that she never ages and never gains weight, and that people still like her.
In 1996 the character appeared on "Call Waiting", an episode of Roseanne, in a dream sequence experienced by the show's lead. Roseanne (Roseanne Barr) was Mary and Dan (John Goodman) was Lou, and the two got into a heated argument. Lou stomped out, but quickly returned and was then played by Asner. (He commented about not feeling like himself.) Asner was uncredited.
In 2004, Asner unofficially reprised the role in a series of ads promoting Twin Cities station KSTP-TV, a real channel in the same market as the fictional WJM-TV.